September 2, 2010

Table of Contents

Features:

Welcome Back to Grover's Corners
Our Town never left the stage, but this season's productions are finding sharp new angles
by Lori Ann Laster

SPECIAL SECTION: THE ISRAELI-PALESTINIAN CONFLICT ON STAGE

Who Can Speak for Me?
Israel's vibrant theatre scene boldly assays the Palestinian conflict—but with authentic voices from the other side mostly missing
by Richard Stein

See Under: Homeland
On U.S. stages, Israeli and American artists espouse humanism in a world of violence
by Randy Gener

Beyond Concrete
In Israeli scenography, is the wall an icon of intractable divisions or a looking glass?
by Tal Itzhaki

Challenging the Walls
How Ashtar Theatre delves into the brutalities and inequities of Palestinian life
PLUS: Al-Kasaba Theatre Comes to D.C.
by Hala Khamis Nassar

Rehearsing for Freedom
In West Bank refugee camps and in Gaza, theatre helps children channel their chronic fears and traumas
by Alisa Solomon

WEB EXCLUSIVE:
12 Positions on Cultural Sanctions
Theatre practitioners offer their views on a call to boycott Israel.
Compiled by Randy Gener

World's Eye View
An illustrated, international guide to summer theatre festivals
Compiled by Eliza Bent, S. Holland Bivins and Nicole Estvanik

Departments:

Editor's Note

From the Executive Director
Speed Dating in Bogotá

News in Brief
Plus: Entrances & Exits; Awards & Prizes

Front & Center

Production Notebook
The Seagull at Classic Stage Company

People
Michael Friedman
by Wendy Weisman

Critic's Notebook
Colorado New Play Summit
by David Ng

Currents
The new age of radio drama
by Sarah Lemanczyk

Antecedents
Robert Brustein on the founding of American Repertory Theatre, with additional material exclusive to the web

Strategies

Playwrights who produce

May/June On Stage

20 Questions
Pina Bausch